Personal Response to Marge Piercys A Work of Artifice :: Work of Artifice Essays

Personal Response to brink Piercys A Work of cheat My initial response to A Work of Artifice by Marge Piercy, was one of profound sadness. In defining myself as the actual contributor of this meter, my background becomes signifi flush toilett in my emotional response. It is this reader who comes to the text cause by cultural and person-to-personized norms and impairments. (Bressler, p. 72) I come from a family of poets and publish writers and have been reading and composing poetry since the age of 4. My low gear verse was published in the local newspaper, in which I won first prize, at age 5. I have experienced all kinds of texts, as well as many different forms of prowess. Being exposed to art and literature at such a young age has assumption me a wide variety of experiences and a huge cultural repertoire. I have even been to Pablo Picassos home studio in France a proceeds of years ago. What strikes the familiar chord in me through this poem, however, lies not i n my cultural repertoire nor my literary background, but my own recent personal background. Having spent many years in an abusive relationship, I can identify with this poem on a very sensitive level. It is your temper/ to be small and cozy,/ house servant and weak (12-14). Throughout history, women have been subjected to prejudice and discrimination as the weaker sex, oft times becoming subservient to their husbands, bosses, etcetera Men have been dominant for years, and in such, have squeezed the role of muliebrity into the domestic realm, that which they believed to be womans work. Experiencing this first hand, although I did work two jobs to jump out a non-working husband and three children, I have felt a sense of weakness and being oppressed or kept down, kept small, which is the essence of this poem. The idea here represents the cultural norm (although this has changed in our last today) of keeping women from speaking their mind by relegating them to purely domestic chor es of little importance. I found no key gaps within this poem on a personal level, although I can define virtually that would occur should a reader not be familiar with the excogitation of bonsai trees. My father has grown bonsai trees for many many years, thus the concept of thin out back and stunting the growth of such trees has been in my cultural and personal repertoire since childhood.