Peter Pan Generation Is Growing Up

Paola Lagunas Spindler English 101 Essay 3 November 2 0, 2012 The woodpecker Pan Generation is Growing Up There atomic number 18 no longer any lay on the lines in library wonderlands in bulks today, kids ar forced toexperiencehard reality at a much fresher age. Maria tartar author of No more than Adventures In Wonderland asserts the evolution of childrens and young adult villains in stories. diaphysis Pan, the lost boy, who never grew up, is one of her examples, giving Captain Cook a childish effect, J. M.Barrie (author of beam Pan), infracts the child the security that the good guys win the dispute among the silly andplayfuladventure stories. Alice in Wonderland, a book almost a missy losing herself down a rabbit fix and then battling the fierce queen,and her card soldiers, also give this story a secure and childish effect. Tartar believes authors wargon fostered villains evolve from whimsically unholy to brutal and dark. The children books, think before for a fun time be now becoming suspenseful sit down novels. According to Tartar, authors substantiate crossed.Creating a perverse twist on such stories as Clifford the grown red dog, The Graveyard book, a picture book ab proscribed a serial killer hand who holds a knife and kills his four family member is a perfect example of authors new twist on entertainment. fire Potter, a national best seller, is about(predicate) a childs parents dying at the start of the story, the protagonist fighting death, and loosing family and friends until the end where a well planned murder with the entire character base give a grand final to this seven book series. However, Tartar gives the dirty money of absolute horrific monsters to Suzanne Collins, author of The lust Games.Collins has turned the child instruction the book into the villain. Katniss Everdeen (protagonist) fights against 12-18 year old children, in a brutal troth for living. Opening her readers eyes into seeing childrensexposureto books about death, and stories about despair and devastation, Tartar declares that books are evolving to fast for the chilren of today, with this, tartar proves how the Peter Pan generation is exploitation up. The villains in childrens books are ever-changing they are evolving, becoming more complex, growing, but, the children too are getting older. erstwhile bedtime characters, villains are now becoming nightmare enhancers.Children that at the age of 4 were training Alice in Wonderland, Peter Pan, and Cinderella are now the 16 year olds reading ache Games. The stories now being published differentiate from the antecedent stories but the readers do too. Providing that four year olds are still reading classics such as Peter Pan young adults expanded their entertain togood but devastatingstories. The main reason why these stories are reaching suchexposureis due to advertisement. Althought Tartar assures the stories for children are growing up, the reader has also develop, and the aurhots have started to developed a more go through story.Using logos, Tartar points to thedilemmaof the expanding children story and it serves as slate for her readers minds. This will help her prove the evolution of the story. If any one person compares Alice in Wonderland to The Hunger Games, the evolution of the narratives about loss, suffering, and redemption the reader will be persuaded into Tartars point of view. Once Tartar sets up the juxtaposition for these cardinal movies, she is able to effectively point out the deflection between the stories, however, she takes a different approach and traces the origins of the books to issues with the authors.In past times, Tartar explains, in that respect was such a thing as Authors Sunday afternoons, authors enjoyed a nice picnic, took their Saint Bernard for a walk and breathed in pure air and ideas. Authors are a now more complex. J. K Rowling, author of best seller chevvy Potter, writing her first book down the stairs ca ndle, and coffee shop timid because she had no way to pay for electricity in her apartment, she experianced poverty. Suzanne Collins, as a child had anxieties about the possibility of her fathers death as a Vietnam veteran, was able to use this to her advantage in books about death.Authors have clearly evolved with their stories, and expanded their relationship to many more readers. This new transformationof authors is allowing them to write deeper stories with darker backgrounds and meanings for matured readers. Even though Tartar points out the complexity of the authors and stories, she fails to point out that these both lead to the maturing of the children. Capturing a balance of peril and enchantment, the stories of Peter Pan and Alice in Wonderland provide the auditory modalitywith an idea for the possibilities of adventure quest in childhood.The traditional villains frighten the readers, but their juvenile antics exotic dancer them from any real authority. Books such as t hese are written for children under the age of twelve because of the foolish way the characters portray evil. Books such as the hunger games are written for teenagers, knowing this helps the author write prehend topics of more complex aspects. However, Tartar has a fault in her line of products by comparing a bedtime story to a story such as The Hunger Games. When an author compares two stories, one being The Hunger Games and one being Alice in wonderland, the author has one point there is a difference.There is of course a difference, an evil wich who only dresses in red and black and hearts is no comparison to a child aspire to manage the kiling of 23 children in order to obtain glory. Almost as different as the villains are, so are the protagonist, a young girl falling into a rabit hole to apear in a world in which she deals with silly magic tricks, is definetly not the same as a young girl coming from poverty going into an arena to try to travel natural disasters, and run awa y from 23 people who are out to kill her.This is where the fault in Tartars argument it, she manages to point the difference, but fails to study that 4 year olds are not reading The Hunger Games, retributory like 16 year olds are not reading Alice in Wonderland. Part of why the authors are crossing over into more evolved stories is because the childrens and young adult category dominate the Best sellers charts. These devastating stories about depresion, war and death are being admited for not just by children, but adults too are picking up the copies. Helping a story achieve bettersuccessin the charts, the books attract a broader audience.The reason why Suzanne Collins and J. K Rowling talk so freely about death compared to J. M. Barrie is because these books are directed towards different audiences. Audiencesthatclearlyask for this type of story, ifthesestories werent beingsuccessfulwith all ages, they would not have been sosuccessfullysold after beingpublished. These books are helping a the young adult genre, they are a perfect conection of safe and suspense, they have-to doe with the topics for childre and adults. It is important to realize that they are different books, by different authors, that are intended for different audiences.Todaysauthors did not think about targeting the same audience that Peter Pan was written for because it is absurd to believe that these books are intended for the same age, but they are intended however, the same reader. The reader of Peter pan, is now the reader of The Hunger games because the 10 years difference between the publishing of the two is also a 10 year difference in the reader. This time period of difference allows the authors to publish books about death, falling offand horrible traumas because it is becoming more socially acceptable by matured readers.